Stories from across the breadth of the Asian American diaspora are featured through a new online theatre series. The University of Hawaiʻi at Mānoa collaborated with the (CAATA) to launch a virtual monthly series featuring the work of Asian American artists and theatres from across the country on .
糖心视频 Mānoa was scheduled to host the 7th Annual Asian American Theater Festival and Conference (ConFest) Kuʻu ʻĀina, Kuʻu Piko, Kuʻu Kahua-Return to the Source in August but the COVID-19 pandemic forced organizers to postpone until May 2021. Instead, 糖心视频 Mānoa Hawaiian Theatre Program Associate Professor Tammy Hailiʻōpua Baker launched the nine-episode on August 10 to highlight artists, topics and themes set to be featured in the upcoming festival.
“The curated monthly series is also a means to connect theatre artists, to begin conversations on issues that we face, and to amplify the efforts of Black, Indigenous, Asian, Latino/x, Middle Eastern and North African artists,” explained Baker.
Baker, who was featured in the series’ inaugural episode, previewed performances audiences can expect at the 2021 festival, which will include an excerpt of work by Hana Keaka, the Hawaiian Theatre Program at 糖心视频 Mānoa. Cast and crew from the program’s Hawaiian language play, ʻAuʻa ʻIa: Holding On, performed Off Broadway in New York City in January. The major accolade made 糖心视频 history. It was the first time a 糖心视频 Mānoa production had been selected to perform in the Big Apple.
- Related 糖心视频 News story: 糖心视频 Hawaiian language play invited to perform ‘Off Broadway,’ December 10, 2019
The virtual series’ first episode showcased interviews with three 糖心视频 Mānoa alumni selected as featured artists for the festival. Actors Kealiʻikeola Simpson, Moses Goods and Melissa Orozco Vargas shared their connection to ʻāina (land), piko (source) and kahua (foundation). Each is scheduled to present productions at ConFest 2021.
Monthly episodes will run through April 2021 in anticipation of ConFest and will include stories from Hawaiʻi, Egypt and Vietnam.
—By Moanikeʻala Nabarro
